Legacies in Paper | Robert C. Williams Museum of Papermaking

Legacies in Paper Gallery

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Nancy Cohen, Sara Garden Armstrong, Helen Hiebert

View of the gallery entrance. The title wall announcing "Legacies in Paper: Nancy Cohen, Sara Garden Armstrong, and Helen Hiebert" is visible, along with three iPad stanchions.

Gallery view of Sara Garden Armstrong's work. On the left is Structured Mapping 5, a large scale painting featuring organic orange, yellow and green forms on a white background. On the right, Figure Form 7, a large, white, bean-shaped textured abaca sculpture, illuminated from behind.

Gallery view of Sara Garden Armstrong's work, Airplayers XIX. Several textured, palm-like forms are suspended from the ceiling and attached to the walls. Some are illuminated with warm light from behind; a blue and purple projection is overlayed on the forms.

Gallery view of a wall with one piece of all three artists' work. On the left, Helen Hiebert's Line Dried, three dried abaca dress forms. In the middle, Nancy Cohen's Espiritu Santo, a large scale paper tapestry in blues and yellows. On the right, Sara Garden Armstrong's Overtures 5 and 6, light brown sculptural pieces that have curved forms and ribbed textures.

Gallery view of Hiebert's Same/Not Same. 39 colorful abaca forms arranged in a 13 by 3 grid.

Gallery view. On the left, Helen Hiebert's Specimens series, a collection of shrunken abaca experiments, displayed on a table. On the right, a video screen displaying the film the Secret Life of Paper.

Gallery view of Helen Hiebert's work. From left to right, Same/Not Same, six paper and thread drawings, and a table displaying the Specimens series.

Gallery view of Nancy Cohen's works. On the far wall: an orange and green paper and wire sculpture, illuminated from within and a large blue pulp paper tapestry with looping green forms and orange splotches. On the right wall is a smaller paper tapestry in multiple shades of red, and two wire and paper sculptures.

Gallery view of Nancy Cohen's works. From left to right: Dividing Line, a large yellow pulp painting with blue spirals; The Meaning of Wings, a series of colorful, wing-like glass forms, suspended in an alcove; and Topography of a Storm, a large deep red pulp painting with organic red lines and angular black lines.

View of the gallery entrance. The title wall announcing "Legacies in Paper: Nancy Cohen, Sara Garden Armstrong, and Helen Hiebert" is visible, along with three iPad stanchions.

Gallery view of Sara Garden Armstrong's work. On the left is Structured Mapping 5, a large scale painting featuring organic orange, yellow and green forms on a white background. On the right, Figure Form 7, a large, white, bean-shaped textured abaca sculpture, illuminated from behind.

Gallery view of Sara Garden Armstrong's work, Airplayers XIX. Several textured, palm-like forms are suspended from the ceiling and attached to the walls. Some are illuminated with warm light from behind; a blue and purple projection is overlayed on the forms.

Gallery view of a wall with one piece of all three artists' work. On the left, Helen Hiebert's Line Dried, three dried abaca dress forms. In the middle, Nancy Cohen's Espiritu Santo, a large scale paper tapestry in blues and yellows. On the right, Sara Garden Armstrong's Overtures 5 and 6, light brown sculptural pieces that have curved forms and ribbed textures.

Gallery view of Hiebert's Same/Not Same. 39 colorful abaca forms arranged in a 13 by 3 grid.

Gallery view. On the left, Helen Hiebert's Specimens series, a collection of shrunken abaca experiments, displayed on a table. On the right, a video screen displaying the film the Secret Life of Paper.

Gallery view of Helen Hiebert's work. From left to right, Same/Not Same, six paper and thread drawings, and a table displaying the Specimens series.

Gallery view of Nancy Cohen's works. On the far wall: an orange and green paper and wire sculpture, illuminated from within and a large blue pulp paper tapestry with looping green forms and orange splotches. On the right wall is a smaller paper tapestry in multiple shades of red, and two wire and paper sculptures.

Gallery view of Nancy Cohen's works. From left to right: Dividing Line, a large yellow pulp painting with blue spirals; The Meaning of Wings, a series of colorful, wing-like glass forms, suspended in an alcove; and Topography of a Storm, a large deep red pulp painting with organic red lines and angular black lines.

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