The subtle beauty of this piece from Peter Thomas speaks for itself; the muted colors of the trees bring out the glory of nature.

This beautiful piece from Judy Tobie highlights the ability of artists to make wonder and joy out of "accidents"!

Artist's Statement: "Pigmenteed 4 hour beaten bleached flax dried under restraint, paint pen. I struggled with this exchange. After the fact, I realized I should have been using a short fiber pulp for stenciling , the pulp paint I had been gifted bled & the first batch buckled in my drying box. Hence the decision to 'decorate' in an attempt to disguise the pigment blooming!"

The subtle beauty of this piece from Peter Thomas speaks for itself; the muted colors of the trees bring out the glory of nature.

This abstract piece from Ziya Tarapore brings to mind the sky when seen through bare tree branches or the canopy of a rainforest.

Artist's Statement: "Corn stalk + abaca pulp, dyed, and stenciled"

In this piece, Alicia Canary explores the concepts of location and place through her integration of maps and paper.

Artist's Statement: "Recycled paper pulled in a dirty tub, failed daffodil experiment, stenciled with recycled colored card stock. Inserts reclaimed maps with suggested routes and sights based on stencil."

In this piece, Alicia Canary explores the concepts of location and place through her integration of maps and paper.

Artist's Statement: "Recycled paper pulled in a dirty tub, failed daffodil experiment, stenciled with recycled colored card stock. Inserts reclaimed maps with suggested routes and sights based on stencil."

Hannah O'Hare Bennett's piece is highly reminiscent of a sky of strawberry or watermelon, creating a sense of whimsy in the viewer.

Artist's Statement:

"Natural dyes and embroidery"