Plans

Plans
Mixed handmade papers and pulp techniques with ink and graphite, 12” x 9” x 0.5”

Plans
Mixed handmade papers and pulp techniques with ink and graphite, 12” x 9” x 0.5”
Before We Were Born: Sea to Land
Abaca with inclusions, ink, woodfired ceramic, 6.5” x 10.5” x 2.5” book pulled out and open 7” diameter
Before We Were Born: Sea to Land is part of a series of works reflecting observed ecological interactions and concerns. This work is a playful journey imagining the primordial soup that coalesced in the oceans and proceeded to evolve as land dwelling species. The pages are made with abaca and have actual plant and animal parts included inside their construction that have reminded me of water plants or animals. The relief images are created from many inspirations including Ernst Haeckel’s work on radiolarians,“ Nature has created an inexhaustible wealth of wondrous forms whose beauty and diversity way exceed anything that has been created by man.”
Before We Were Born: Nest
Found nest, abaca, graphite, glass, 12” x 5”
Before We Were Born: Nest is part of a series of artists books reflecting on observed ecological interactions. The underlying theme is the occurrences that have been happening within the natural world for eons in a symbiotic pattern of life cycles that have adapted to create mutual existence. This book is drawn of graphite on abaca paper and placed in a nest with a hand sculpted glass base. The nest was abandoned near a paper studio in which the bird wove paper scraps and fiber that had escaped from the studio that must have kept her eggs warm.
4 Cardinal Directions
Cotton rag and abaca pigmented papers, letterpress, collograph, relief, intaglio, lithography, walnut dyed cover, 10” x 6.75”
Union
Hand made papers, graphite, letterpress, inkjet, linen thread, 23’ x ½” x 16”
Union is a book that took a year and half to complete. The book’s drawings were done on sight at Warren Woods State Park, Three Oaks, MI. Many drawings were completed over the summer of 2011 and 2012.
The book is constructed of a variety of handmade papers. The drawings were done on cotton rag with a purposeful paste design. The brown and tan pages were composed of daylily leaf, wheat straw, and hay, giant ragweed fibers the line drawings are sewn with linen thread. The cover is made from hay fiber, the blue end sheet is neighbor’s blue jeans, and the purple end sheet is made from abaca.
Romping Around
Pulp Painting, 72x38"
Motivation for Mobilization
Pulp Painting, 28x42"
Beech #2 Warren Woods
Kozo, pigmented cotton fiber, ink, 38” x 74”
Regeneration
Pigmented cotton rag on cotton rag, 22"x30"
Beech #4 Warren Woods
Kozo, pigmented cotton fiber, ink, 38” x 74”