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Plans

  • Read more about Plans
Artist Name
Andrea Peterson
Art Image
The image shows a plan brown cover with the title plans stitched small in the bottom right corner. The image also shows four spreads from the book. The first spread is a light green spread with a cornstalk connected to a stove top by a snaking hot pink line. The second spread is kraft paper brown with six white ovals bordered by pink arranged one above he other next to white puzzle pieces a line drawing and a grey mass. The third spread is bright yellow with a block printed flower, line drawing

Plans

Mixed handmade papers and pulp techniques with ink and graphite, 12” x 9” x 0.5”

Art Image
The image shows a plan brown cover with the title plans stitched small in the bottom right corner. The image also shows four spreads from the book. The first spread is a light green spread with a cornstalk connected to a stove top by a snaking hot pink line. The second spread is kraft paper brown with six white ovals bordered by pink arranged one above he other next to white puzzle pieces a line drawing and a grey mass. The third spread is bright yellow with a block printed flower, line drawing

Sea to Land

  • Read more about Sea to Land
Artist Name
Andrea Peterson
Art Image
A ceramic shell houses a circular book folded in half whose crinkled edges extend just past the lip of the shell. A second image shows the book removed from the shell now opened out into a crumpled circle of abaca papers.

Before We Were Born: Sea to Land

Abaca with inclusions, ink, woodfired ceramic, 6.5” x 10.5”  x 2.5” book pulled out and open 7” diameter

Before We Were Born: Sea to Land is part of a series of works reflecting observed ecological interactions and concerns. This work is a playful journey imagining the primordial soup that coalesced in the oceans and proceeded to evolve as land dwelling species. The pages are made with abaca and have actual plant and animal parts included inside their construction that have reminded me of water plants or animals. The relief images are created from many inspirations including Ernst Haeckel’s work on radiolarians,“ Nature has created an inexhaustible wealth of wondrous forms whose beauty and diversity way exceed anything that has been created by man.”

Art Image
A ceramic shell houses a circular book folded in half whose crinkled edges extend just past the lip of the shell. A second image shows the book removed from the shell now opened out into a crumpled circle of abaca papers.

Nest

  • Read more about Nest
Artist Name
Andrea Peterson
Art Image
A light-weight, handmade paper accordion book flutters downward from a bird's nest in "Before We Were Born: Nest" by Andrea Peterson.  The thin pages of the book contain drawings; the bottom of the nest, a mammilian jawbone, a daisy, and a root.  A glass three-clawed stand holds the nest in its perch above a white table.

Before We Were Born: Nest

Found nest, abaca, graphite, glass, 12” x 5”

Before We Were Born: Nest is part of a series of artists books reflecting on observed ecological interactions. The underlying theme is the occurrences that have been happening within the natural world for eons in a symbiotic pattern of life cycles that have adapted to create mutual existence. This book is drawn of graphite on abaca paper and placed in a nest with a hand sculpted glass base. The nest was abandoned near a paper studio in which the bird wove paper scraps and fiber that had escaped from the studio that must have kept her eggs warm.

Art Image
A light-weight, handmade paper accordion book flutters downward from a bird's nest in "Before We Were Born: Nest" by Andrea Peterson.  The thin pages of the book contain drawings; the bottom of the nest, a mammilian jawbone, a daisy, and a root.  A glass three-clawed stand holds the nest in its perch above a white table.

4 Cardinal Directions

  • Read more about 4 Cardinal Directions
Artist Name
Andrea Peterson
Art Image
Dark crinkled cover, title page with a cloud form and letterpress type, and 4 spreads feature in the photograph of artist book “4 Cardinal Directions” by Andrea Peterson.  The “north” spread is a rubbing of the veins of a blue leaf over gray, topographic swirls.  The “south” spread a leafy, tropical design with two hues of green and splotches of red. “East” is yellow with white spots, activated by a zig-zagging thread.  “West” is a warm-cool interplay of brown tree rings and monolithic nighttime blue.

4 Cardinal Directions

Cotton rag and abaca pigmented papers, letterpress, collograph, relief, intaglio, lithography, walnut dyed cover, 10” x 6.75”

Art Image
Dark crinkled cover, title page with a cloud form and letterpress type, and 4 spreads feature in the photograph of artist book “4 Cardinal Directions” by Andrea Peterson.  The “north” spread is a rubbing of the veins of a blue leaf over gray, topographic swirls.  The “south” spread a leafy, tropical design with two hues of green and splotches of red. “East” is yellow with white spots, activated by a zig-zagging thread.  “West” is a warm-cool interplay of brown tree rings and monolithic nighttime blue.

Union

  • Read more about Union
Artist Name
Andrea Peterson
Art Image
Woodcuts of human and plant shapes juxtapose with background sketches of building diagrams in the four spreads of the artist's book "Union" by Andrea Peterson.  The first spread is a dark green leaf shape and a pink curve over a stovetop.  The second, pink and white ovals and puzzle pieces and a gray shape like a human heart over a porch diagram.  Third, a sunflower and a reaching hand-like shape over a yellow background with roof-like beams.  Last, a hardwood floor with mold-like forms reaching over beams.

Union

Hand made papers, graphite, letterpress, inkjet, linen thread, 23’ x ½” x 16”

​​​​​​​Union is a book that took a year and half to complete. The book’s drawings were done on sight at Warren Woods State Park, Three Oaks, MI. Many drawings were completed over the summer of 2011 and 2012.

The book is constructed of a variety of handmade papers. The drawings were done on cotton rag with a purposeful paste design. The brown and tan pages were composed of daylily leaf, wheat straw, and hay, giant ragweed fibers the line drawings are sewn with linen thread. The cover is made from hay fiber, the blue end sheet is neighbor’s blue jeans, and the purple end sheet is made from abaca.

 

Art Image
Woodcuts of human and plant shapes juxtapose with background sketches of building diagrams in the four spreads of the artist's book "Union" by Andrea Peterson.  The first spread is a dark green leaf shape and a pink curve over a stovetop.  The second, pink and white ovals and puzzle pieces and a gray shape like a human heart over a porch diagram.  Third, a sunflower and a reaching hand-like shape over a yellow background with roof-like beams.  Last, a hardwood floor with mold-like forms reaching over beams.

Romping Around

  • Read more about Romping Around
Artist Name
Lea Basile-Lazarus
Art Image
The dark gray frames of tower-like structures with pointed rooftops stagger roughly and energetically through muddy greens, blues, and yellows across the three panels of the triptych by Lea Basile-Lazarus entitled "Romping Around."  A bright yellow tower with two intense red windows forms the focal point of the piece, located just off-center in the middle panel of the triptych.  A few smaller towers of flat blue and bright white run across the bottom edge of the left panel, pop up in the lower half of the m

Romping Around

Pulp Painting, 72x38"

Art Image
The dark gray frames of tower-like structures with pointed rooftops stagger roughly and energetically through muddy greens, blues, and yellows across the three panels of the triptych by Lea Basile-Lazarus entitled "Romping Around."  A bright yellow tower with two intense red windows forms the focal point of the piece, located just off-center in the middle panel of the triptych.  A few smaller towers of flat blue and bright white run across the bottom edge of the left panel, pop up in the lower half of the m

Motivation for Mobilization

  • Read more about Motivation for Mobilization
Artist Name
Lea Basile-Lazarus
Art Image
Saturated magenta scales like skin cells dominate the picture plane in this piece, "Motivation for Mobilization," by Lea Basile-Lazarus.  The cell walls, consisting of house-like structures with pointed roofs, comprise the blue and yellow negative space between the raw, meaty material in magenta marbled with blue.  A sharp gray blade-like shape scrapes against the edge of a bold, solid, pink half-ellipse in the lower left-hand corner of the sheet.

Motivation for Mobilization

Pulp Painting, 28x42"

Art Image
Saturated magenta scales like skin cells dominate the picture plane in this piece, "Motivation for Mobilization," by Lea Basile-Lazarus.  The cell walls, consisting of house-like structures with pointed roofs, comprise the blue and yellow negative space between the raw, meaty material in magenta marbled with blue.  A sharp gray blade-like shape scrapes against the edge of a bold, solid, pink half-ellipse in the lower left-hand corner of the sheet.

Beech #2 Warren Woods

  • Read more about Beech #2 Warren Woods
Artist Name
Andrea Peterson
Art Image
An olive green block print of overlapped plant stocks serve as a textured background for a tree trunk created with white and light green pulp. Small bits of blue and red irregularly sneak out from under the edges of the white roots.

Beech #2 Warren Woods 

Kozo, pigmented cotton fiber, ink, 38” x 74”

           

Art Image
An olive green block print of overlapped plant stocks serve as a textured background for a tree trunk created with white and light green pulp. Small bits of blue and red irregularly sneak out from under the edges of the white roots.

Regeneration

  • Read more about Regeneration
Artist Name
Andrea Peterson
Art Image
A mess of red, yellow, white, purple, teal, and gold paper pulp hatches from the center of this sheet, spilling out toward the edges.  Organic forms come to life in the myriad shapes of color.  The purple bursts toward the upper right.  The teal bends to support the yellow that weighs heavy on the lower-half of the page.  Gold and red span either side, while a white splotch ascends to the upper-middle section.  Small hints of dark purple pop it all forth from the background.

Regeneration

Pigmented cotton rag on cotton rag, 22"x30"

Art Image
A mess of red, yellow, white, purple, teal, and gold paper pulp hatches from the center of this sheet, spilling out toward the edges.  Organic forms come to life in the myriad shapes of color.  The purple bursts toward the upper right.  The teal bends to support the yellow that weighs heavy on the lower-half of the page.  Gold and red span either side, while a white splotch ascends to the upper-middle section.  Small hints of dark purple pop it all forth from the background.

Beech #4 Warren Woods

  • Read more about Beech #4 Warren Woods
Artist Name
Andrea Peterson
Art Image
White text printed on natural kozo is interrupted by a tree trunk made from mottled red, blue, and white pulp overprinted with a black block print cut in a curved stylized texture. The majority of the trunks roots stretch out diagonally towards the lower edge of the page.

Beech #4 Warren Woods

Kozo, pigmented cotton fiber, ink, 38” x 74”

Art Image
White text printed on natural kozo is interrupted by a tree trunk made from mottled red, blue, and white pulp overprinted with a black block print cut in a curved stylized texture. The majority of the trunks roots stretch out diagonally towards the lower edge of the page.

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