Ruminate | Robert C. Williams Museum of Papermaking

What the F...!

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Lea Basile-Lazarus

A raging, textured explosion of red, orange, and grayish purple tears through scribbled-out drawings of house-like buildings and other spur-of-the-moment shapes in this venting of line and color appropriately titled "What the F...!" by Lea Basile-Lazarus.

What the F...!

Pulp Painting, 24x38"

Invisible Lines

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Andrea Peterson

A triptych of a field of flowering plants. a base of blue can be glimpsed between green vertical gestural marks at the base of the pages. The green marks meet loose vertical clumps of golden yellow blooms. These blooms are made to pop out from the page by placing the gold against a background of crimson and purple.

Invisible Lines – triptych

pigmented cotton rag on phragmite paper fiber, 36” x 72”

The Unusuals

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Lea Basile-Lazarus

The Unusuals

Pulp Painting, 48x38"

Incursion

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Chad Hayward

Incursion

Acrylic, pen and pigmented cotton pulp on handmade paper, 19 x 28 3/4 inches. 2019.

Transparency

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Lea Basile-Lazarus

Transparency

Pulp Painting, 24x38"

Extending Through Leaves

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Andrea Peterson

This abstract has two horizontally oriented brown ovals rimmed in blue and yellow rings dominating the composition at center of the upper two-thirds of the work. These ovals rest on a mass of crimson hugged along the upper and left sides by a squiggly mass of white lines with blue and grey peeking out, and a thin green organic form to the right of the crimson mass. The lower half of the composition is occupied by red an coral topped with a shock of turquoise and a black half circle along the bottom edge

Extending Through Leaves

pigmented cotton rag on cotton rag/daylily mix, 30” x 44”

East

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Chad Hayward

A yellow and dark green circular shape in the lower left radiates dots of yellow green, sky blue, white, and blue in visual dialogue with a darker amoeboid shape emitting concentric dots of dark yellow, green, and black that offset the larger pointillistic effects from the opposite corner of the sheet in this piece by Chad Hayward entitled "East."

East

Acrylic and pigmented cotton pulp on handmade paper, 21 x 29 inches. 2019.

Invisible Decisions

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Lea Basile-Lazarus

Gray and black drawings of house-shaped iconographies stand firm, reaching from top to bottom of the picture plane in the diptych entitled "Invisible Decisions" by Lea Basile-Lazarus. The white background, layered with light-gray and faint purple, blue, and yellow stencils of house shapes, undergirds three large house shapes, one of which is set on the dividing line between the two paper panels. Scratches of black line near the perimeter of each sheet form scribbles of structures, echoing the other shapes

Invisible Decisions

Diptych Pulp Painting

48"x28"

Organized Chance

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Andrea Peterson

Pulp Painting

22"x30"

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What the F...!

Invisible Lines

The Unusuals

Incursion

Transparency

Extending Through Leaves

East

Invisible Decisions

Organized Chance

Georgia Institute of Technology