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Getting the Lead Out

  • Read more about Getting the Lead Out
Artist Name
Kerri Mulcare
University
Minneapolis College of Art and Design
Art Image
Getting the Lead Out    Kerri Mulcare   Minneapolis College of Art and Design   Handmade cast paper, photo lithography, Ctira Solv transferred text   "Getting the Lead Out" consists of 24 sheets of handmade paper casts that appear as plate shapes with crumpled square napkins extending out from underneath the plates. Each form has been printed with a photo lithograph of a blue, circular plate pattern with citra solv transferred text at the center of each "plate." The 24 plates are hung to form a 9' circle on

Handmade cast paper, photo lithography, Ctira Solv transferred text 

"Getting the Lead Out" consists of 24 sheets of handmade paper casts that appear as plate shapes with crumpled square napkins extending out from underneath the plates. Each form has been printed with a photo lithograph of a blue, circular plate pattern with citra solv transferred text at the center of each "plate." The 24 plates are hung to form a 9' circle on the wall, revealing a poem that is read from the center-top clockwise.

Art Image
Getting the Lead Out    Kerri Mulcare   Minneapolis College of Art and Design   Handmade cast paper, photo lithography, Ctira Solv transferred text   "Getting the Lead Out" consists of 24 sheets of handmade paper casts that appear as plate shapes with crumpled square napkins extending out from underneath the plates. Each form has been printed with a photo lithograph of a blue, circular plate pattern with citra solv transferred text at the center of each "plate." The 24 plates are hung to form a 9' circle on

Shirt Books (A Blank Shirt Book)

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Artist Name
Shoko Nakamura
University
University of Iowa Center for the Book
Art Image
<strong>Shirt Books</strong> (A Blank Shirt Book)  |  Shoko Nakamura       <br />University of Iowa Center for the Book  Handmade paper, binding thread, handsewn technique   "A Blank Shirt Book" literally used binding thread to hand sew a sheet of paper into a life- size, button-up, long-sleeve shirt, complete with collar, cuffs, breast pocket, and hemmed edges.

Handmade paper, binding thread, handsewn technique 

"A Blank Shirt Book" literally used binding thread to hand sew a sheet of paper into a life- size, button-up, long-sleeve shirt, complete with collar, cuffs, breast pocket, and hemmed edges.

Art Image
<strong>Shirt Books</strong> (A Blank Shirt Book)  |  Shoko Nakamura       <br />University of Iowa Center for the Book  Handmade paper, binding thread, handsewn technique   "A Blank Shirt Book" literally used binding thread to hand sew a sheet of paper into a life- size, button-up, long-sleeve shirt, complete with collar, cuffs, breast pocket, and hemmed edges.

Codex Chup Cabal

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Artist Name
Lisa Miles
University
University of Iowa Center for the Book
Art Image
Codex Chup Cabal  Lisa Miles      University of Iowa Center for the Book  Handbeaten kozo bark paper, natural dyes   "Codex Chup Cabal" is 12' x 8" of handbeaten kozo bark paper colored with natural dyes to create an accordion of blue skys with just a hint of luscious green landforms at its base. The piece makes great use of the wavey tendrils of fiber that are characteristic of bark papers.

Handbeaten kozo bark paper, natural dyes 

"Codex Chup Cabal" is 12' x 8" of handbeaten kozo bark paper colored with natural dyes to create an accordion of blue skys with just a hint of luscious green landforms at its base. The piece makes great use of the wavey tendrils of fiber that are characteristic of bark papers.  

Art Image
Codex Chup Cabal  Lisa Miles      University of Iowa Center for the Book  Handbeaten kozo bark paper, natural dyes   "Codex Chup Cabal" is 12' x 8" of handbeaten kozo bark paper colored with natural dyes to create an accordion of blue skys with just a hint of luscious green landforms at its base. The piece makes great use of the wavey tendrils of fiber that are characteristic of bark papers.

La Cordillera is the Spine

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Artist Name
Maria Carolina Ceballos
University
University of Iowa Center for the Book
Art Image
"La Cordillera is the Spine" is created from hand-torn folios of various sizes bound together by attaching Islamic-style handmade paper to a wire using a beautiful headband stitch across the full length of the book. Smaller bits of paper are clustered on either end of the book, gradually progressing to larger sheets as they come towards the middle. The wire within in the spine of the book is arranged to mimic the curvature of the human spine.

Islamic style paper and thread 

"La Cordillera is the Spine" is created from hand-torn folios of various sizes bound together by attaching Islamic-style handmade paper to a wire using a beautiful headband stitch across the full length of the book. Smaller bits of paper are clustered on either end of the book, gradually progressing to larger sheets as they come towards the middle. The wire within in the spine of the book is arranged to mimic the curvature of the human spine.

Art Image
"La Cordillera is the Spine" is created from hand-torn folios of various sizes bound together by attaching Islamic-style handmade paper to a wire using a beautiful headband stitch across the full length of the book. Smaller bits of paper are clustered on either end of the book, gradually progressing to larger sheets as they come towards the middle. The wire within in the spine of the book is arranged to mimic the curvature of the human spine.

Atrophy no.1

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Artist Name
Michael Whitehead
University
Louisiana State University
Art Image
Atrophy no.1  Michael Whitehead    Louisiana State University  Natural pigment drawing on hay/rice straw/ abaca pulp painting   "Atrophy no. 1" is an 11"x17" pulp painting that uses the natural earth tones of hay, rice staw, and abaca pulp to render a view of the support beams of a deteriorating gable roof. The angular and abstract lines of the pulp painted beams are enhanced with the application of hand drawn pen & ink wood texturing.

Natural pigment drawing on hay/rice straw/ abaca pulp painting 

"Atrophy no. 1" is an 11"x17" pulp painting that uses the natural earth tones of hay, rice staw, and abaca pulp to render a view of the support beams of a deteriorating gable roof. The angular and abstract lines of the pulp painted beams are enhanced with the application of hand drawn pen & ink wood texturing. 
 

Art Image
Atrophy no.1  Michael Whitehead    Louisiana State University  Natural pigment drawing on hay/rice straw/ abaca pulp painting   "Atrophy no. 1" is an 11"x17" pulp painting that uses the natural earth tones of hay, rice staw, and abaca pulp to render a view of the support beams of a deteriorating gable roof. The angular and abstract lines of the pulp painted beams are enhanced with the application of hand drawn pen & ink wood texturing.

Resting Place

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Artist Name
Carlie Salomons
University
Louisiana State University
Art Image
Resting Place  Carlie Salomons    Louisiana State University  Cotton pulp painted couch with wool yarn figure    "Resting Place" is a 12'x4' quarter-inch thick pulp painting in the shape of a three-cushion blue couch with rounded arms and a skirt. The almost life-size couch has a wool crocheted full-body silhouetted figure seated on the right cushion. The shadow is wearing a pink hat and the body is a shade darker than the sky blue of the couch so that it appears translucent.

Cotton pulp painted couch with wool yarn figure  

"Resting Place" is a 12'x4' quarter-inch thick pulp painting in the shape of a three-cushion blue couch with rounded arms and a skirt. The almost life-size couch has a wool crocheted full-body silhouetted figure seated on the right cushion. The shadow is wearing a pink hat and the body is a shade darker than the sky blue of the couch so that it appears translucent.

Art Image
Resting Place  Carlie Salomons    Louisiana State University  Cotton pulp painted couch with wool yarn figure    "Resting Place" is a 12'x4' quarter-inch thick pulp painting in the shape of a three-cushion blue couch with rounded arms and a skirt. The almost life-size couch has a wool crocheted full-body silhouetted figure seated on the right cushion. The shadow is wearing a pink hat and the body is a shade darker than the sky blue of the couch so that it appears translucent.

Trash Baby

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Artist Name
Nikki d'Agostino
University
Tyler University
Art Image
Trash Baby  Nikki D’Agostino   Tyler University  Recycled handmade paper with mokuhanga wood block reduction   "Trash Baby" is a 3 1/8" x 3 5/8" book that folds out into a single 12.5" by 14.5" single sheet. The sheet features an olive green and marine blue Moku Hanga woodblock image of a happy infant sitting at the center of a heap of trash bags and other debris.

Recycled handmade paper with mokuhanga wood block reduction 

"Trash Baby" is a 3 1/8" x 3 5/8" book that folds out into a single 12.5" by 14.5" single sheet. The sheet features an olive green and marine blue Moku Hanga woodblock image of a happy infant sitting at the center of a heap of trash bags and other debris.

Art Image
Trash Baby  Nikki D’Agostino   Tyler University  Recycled handmade paper with mokuhanga wood block reduction   "Trash Baby" is a 3 1/8" x 3 5/8" book that folds out into a single 12.5" by 14.5" single sheet. The sheet features an olive green and marine blue Moku Hanga woodblock image of a happy infant sitting at the center of a heap of trash bags and other debris.

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